“Shine On (Shine All Your Sweet Love on Me)”, song written by Johnny MacRae and Bob Morrison, was recorded by George Jones for the Epic label, it was recorded in early 1983, at Columbia Recording Studio, 34 Music Sq. East, Nashville, TN. At the recording session for the album, George Jones was accompanied by: Pete Bordonali, Billy Sanford, Bobby Thompson and Reggie Young (guitar), Henry Strzelecki (bass guitar), Pete Drake (dobro), Larrie Londin and Kenny Malone (drums), Bobby Ogdin and Hargus “
"Say It's Not You", a song written by Dallas Frazier, was recorded by George Jones for the Musicor label, on June 13, 1967, at Columbia Recording Studio, 804 16th Ave. South, Nashville, TN. With the production of "Pappy" Daily, the song was released in January 1968, and on April 20 it reached # 8 on the US Hot Country Songs charts, remaining on the charts for a total of 14 weeks. With Musicor, Jones would record at breakneck pace, cutting over 280 singles, and maintained a consistent presence on
“A Good Year for the Roses”, a song written by Jerry Chesnut, was recorded by George Jones for the Musicor label on February 26, 1970, at RCA Victor Studio, 800 17th Ave. South, Nashville, TN, on it The recording session was also recorded, “Leaning on the shoulder of love”, in the recording session George was accompanied by: Charles Carter (guitar), Charles Justice (guitar), Jerry Shook (guitar), Sonny Curtis and Weldon Myrick (steel), Bob Moore, James Hollie and Joseph Zinkan (bass), Kenneth Bu
“Near You”, a song written by Francis Craig and first recorded by Francis Craig & His Orchestra for the Bullet Records label, recorded in early 1947 and released on March 15, 1947, “Near You” first reached the Billboard Best Seller chart on August 30, 1947, and lasted 21 weeks on the chart, peaking at # 1. It eventually sold over 2.5 million copies. “Craig's version of the song was the first pop hit record ever to come out of Nashville, Tennessee.”
Recorded at Epic in August 1973, “We’re Gonna Hold On” . Written by George Jones and Earl Montgomery. Had their first of three number-one songs on the U.S. country chart. Single from George Jones and Tammy Wynette 19193 album “We’re Gonna Hold On”. On the original 45 record, The B-Side was “My Elusive Dreams” from the pen of B. Sherrill and C. Putman.
The song was released not long after the couple’s reconciliation after Tammy filed for divorce on August 1, 1973 due to George’s increasing bouts
A song written by Bobby Braddock & Rafe VanHoy, was recorded by Tammy Wynette & George Jones for the Epic label, and produced by Bill Sherrill, in May 1976, released in June 1976, reaching number one on country charts on August 7 of the same year, it was the second duo George Jones-Tammy Wynette that reached the number 1 in the list of Billboard Hot Country Singles. The song would be included on the album, Golden Ring (Epic 1976), they recorded the song in 1994 for the album, The Bradley Barn Se
Written by Tom T. Hall. It was originally released by The Blue Boys in 1968, whose version peaked at number 58 on the Billboard Hot Country Singles chart.
The song was covered by American country music artist George Jones on his 1980 album I Am What I Am. It was released in August 1980 as album’s second single following the monster smash “He Stopped Loving Her Today.” Jones’ version peaked at number 2 on the Billboard Hot Country Singles chart.
On the original 45 record, it was paired with ano
Song written by Troy Seals and Max D. Barnes, was recorded by George Jones, for the Epic label, recorded in April 1985, in Eleven-Eleven Sound Studio, Nashville, TN, with the production of Billy Sherrill, was released in July From 1985, on October 26, it reached # 3 on the US lists. Billboard Hot Country Singles, and he stayed 20 weeks in the charts. In the Canadian RPM Country Tracks lists, I get to number # 2.
The song was included in George Jones’ 45 studio album, Who’s Gonna Fill Their Sh
George Jones recorded the song three times, the first was for the album, “The Crown Prince of Country Music” (Starday Records 1960), re titled the song as, One Woman Man.The second recording was made with the original title, I’m a One-Woman Man, recorded in November 1988 and released in December 1988, for the Epic label.Despite the lack of radio successes when the 1990s began, I record The third recording, was a duo with Marty Stuart, for the album, The Bradley Barn Sessions (MCA 1994).
The song written by Bobby Braddock & Curly Putman, was recorded by George Jones for the Epic label, between December 1979 and January 1980, with the production of Billy Sherrill, it was released on April 14, 1980. On July 5, In 1980, the song reached number one on the US Billboard Hot Country Singles, and the Canadian RPM Country Tracks, would reach number 2. It would be the tenth number one of George’s career. The week after Jones’ death, the song re-entered the Hot Country song list at numbe